| dc.contributor.advisor |
Liebenberger, Július
|
|
| dc.contributor.author |
Steiner, Prokop
|
|
| dc.date.accessioned |
2023-12-20T13:25:30Z |
|
| dc.date.available |
2023-12-20T13:25:30Z |
|
| dc.date.issued |
2022-12-01 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
|
| dc.identifier.uri |
http://hdl.handle.net/10563/54345
|
|
| dc.description.abstract |
Práce se zabyvá šířkou filmového formátu a použitím různych skladebních prvků obrazu v závislosti na něm (kompozice, pohyb, práce s herci, lokací, mizanscénou, etc.). Ilustruje rozdíly různych formátů na dvou filmovych adaptacích finské válečné novely Neznámy voják. Definuje, jaké jsou vyhody úzkého a širokého formátu, a s jakymi vyzvami se naopak kameraman musí při práci s nimi vypořádat. |
|
| dc.format |
44 s. |
|
| dc.language.iso |
cs |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
Šířka formátu
|
cs |
| dc.subject |
kompozice
|
cs |
| dc.subject |
pohyb
|
cs |
| dc.subject |
mizanscéna
|
cs |
| dc.subject |
prostředí
|
cs |
| dc.subject |
komparz
|
cs |
| dc.subject |
Frame width
|
en |
| dc.subject |
composition
|
en |
| dc.subject |
movement
|
en |
| dc.subject |
mise-en-scene
|
en |
| dc.subject |
environment
|
en |
| dc.subject |
extras
|
en |
| dc.title |
Závislost skladebních prvků obrazu na velikosti formátu: "Neznámy Voják" ve verzích z roku 1955 a 2017 |
|
| dc.title.alternative |
1. Theoretical part: Dependence of composition elements on the size of the frame: "Unknown Soldier" in versions form 1955, 1985 and 2017. 2. Practical part: Camera on an audiovisual work with a minimum length of 12 minutes, in the output quality specified in AAV production book, or camera for a set of audiovisual works officially approved before submission by the commission of the Audiovisual Production Studio, in the output quality stated in the AAV Production Book, or documentary series of photographs, properly adjusted, measuring 30x45cm, in landscape orientation, which captures an interesting moment in a person's life. The content and expression components are important. The color or non-coloring of photographs is conditioned by the message. The variant must be approved before submission by the Committee of the Audiovisual Production Studio |
|
| dc.type |
bakalářská práce |
cs |
| dc.contributor.referee |
Synak, Ondrej |
|
| dc.contributor.referee |
Štěpánek, Martin |
|
| dc.date.accepted |
2023-06-15 |
|
| dc.description.abstract-translated |
This thesis addresses the width of a film frame and the dependence of the various visual elements, which are used to form a shot (composition, movement, blocking, locations, miseen- scene, etc.), on said frame. It illustrates the differences between various frames thanks to two adaptations of a Finnish war novel Unknown soldier. It defines the advantages of both the wide and narrow frames, as well as drawbacks, that a director of photography has to overcome when working with them. |
|
| dc.description.department |
Ateliér Audiovize |
|
| dc.thesis.degree-discipline |
Audiovizuální tvorba - Kamera |
cs |
| dc.thesis.degree-discipline |
Audiovisual Arts - Film Photography |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
BcA. |
|
| dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
| dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
| dc.identifier.stag |
63024
|
|
| dc.date.submitted |
2023-05-19 |
|
