Vývoj screen dancových filmů z pohledu producenta
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dc.contributor.advisor |
Konečný, Lubomír
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dc.contributor.author |
Goliašová, Silvia
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dc.date.accessioned |
2022-07-15T09:23:15Z |
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dc.date.available |
2022-07-15T09:23:15Z |
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dc.date.issued |
2021-12-01 |
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dc.identifier |
Elektronický archiv Knihovny UTB |
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dc.identifier.uri |
http://hdl.handle.net/10563/50810
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dc.description.abstract |
Bakalárska práca sa zaoberá subžánrom screen dance a jeho vývoju. Jej hlavným cieľom je popísať a zdokumentovať postupy práce na príklade konkrétnych filmov. Definuje development a porovnáva jeho spôsoby na základe rozhovorov s tvorcami konkrétnych filmov. Práca sa snaží nájsť to, čo spája všetky analyzované filmy a poukazuje na problematiku financovania a poznania tohto takmer neznámeho subžánru u nás. |
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dc.format |
44 |
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dc.language.iso |
cs |
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dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
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dc.rights |
Bez omezení |
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dc.subject |
screen dance
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cs |
dc.subject |
dance for camera
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cs |
dc.subject |
vývoj filmu
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cs |
dc.subject |
development
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cs |
dc.subject |
financovanie filmu
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cs |
dc.subject |
COVID - 19
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cs |
dc.subject |
New Normal
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cs |
dc.subject |
Fibonacci
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cs |
dc.subject |
Rude Boys
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cs |
dc.subject |
Selfmotion
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cs |
dc.subject |
screen dance
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en |
dc.subject |
dance for camera
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en |
dc.subject |
development
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en |
dc.subject |
financing
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en |
dc.subject |
New Normal
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en |
dc.subject |
Fibonacci
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en |
dc.subject |
Rude Boys
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en |
dc.subject |
Selfmotion
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en |
dc.title |
Vývoj screen dancových filmů z pohledu producenta |
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dc.title.alternative |
The Development of Screen Dance Films from the Producer's Point of View |
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dc.type |
bakalářská práce |
cs |
dc.contributor.referee |
Bébarová, Jana |
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dc.contributor.referee |
Mayer, Viktor |
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dc.date.accepted |
2022-06-15 |
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dc.description.abstract-translated |
This bachelor thesis deals with the subgenre screen dance and its development. Its main goal is to describe and document working procedures on the examples of specific movies. It defines its evolution and compares its methods based on the interviews with the creators of specific movies. Another goal of this bachelor thesis is to find out what connects all analyzed movies, point out the issue of financing, and recognize this almost unknown subgenre in this country. |
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dc.description.department |
Ateliér Audiovize |
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dc.thesis.degree-discipline |
Produkce |
cs |
dc.thesis.degree-discipline |
Film Production |
en |
dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
dc.thesis.degree-name |
BcA. |
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dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
dc.identifier.stag |
60111
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dc.date.submitted |
2022-05-13 |
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