Vývoj forem obrazového vyprávění ve filmech Alejandra Gonzáleze Inárritu
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dc.contributor.advisor |
Štěpánek, Martin
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dc.contributor.author |
Kučeríková, Barbora
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dc.date.accessioned |
2021-07-26T10:58:24Z |
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dc.date.available |
2021-07-26T10:58:24Z |
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dc.date.issued |
2020-12-02 |
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dc.identifier |
Elektronický archiv Knihovny UTB |
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dc.identifier.uri |
http://hdl.handle.net/10563/49721
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dc.description.abstract |
Diplomová práca skúma premeny vizuálnych foriem naprieč tvorbou celovečerných filmov mexického režiséra Alejandra Gonzáleza Inárritu. Formálnou analýzou šiestich filmov vzniknutých medzi rokmi 2000 až 2015 skúma práca vzťah režiséra s kameramanmi Rodrigom Prietom a Emmanuelom Lubezkim. Cieľom diplomovej práce vytvoriť komplexný prehľad o doterajšej filmovej tvorbe Alejandra Gonzáleza I?árritu z vizuálneho hľadiska a charakterizovať mieru vplyvu kameramana na režisérovu víziu. |
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dc.format |
123 s. (207 003 znakov) |
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dc.language.iso |
sk |
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dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
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dc.rights |
Bez omezení |
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dc.subject |
Alejandro González Inárritu
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cs |
dc.subject |
Rodrigo Prieto
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cs |
dc.subject |
Emmanuel Lubezki
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cs |
dc.subject |
kamera
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cs |
dc.subject |
Amores Perros
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cs |
dc.subject |
21 gramů
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cs |
dc.subject |
Babel
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cs |
dc.subject |
Biutiful
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cs |
dc.subject |
Birdman
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cs |
dc.subject |
Revenant
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cs |
dc.subject |
Alejandro González Inárritu
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en |
dc.subject |
Rodrigo Prieto
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en |
dc.subject |
Emmanuel Lubezki
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en |
dc.subject |
cinematography
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en |
dc.subject |
Amores Perros
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en |
dc.subject |
21 grams
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en |
dc.subject |
Babel
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en |
dc.subject |
Biutiful
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en |
dc.subject |
Birdman
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en |
dc.subject |
The Revenant
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en |
dc.title |
Vývoj forem obrazového vyprávění ve filmech Alejandra Gonzáleze Inárritu |
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dc.title.alternative |
The Development of Visual Narrative Forms in the Films of Alejandro Gonzalez I\ nárritu |
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dc.type |
diplomová práce |
cs |
dc.contributor.referee |
Cielová, Hana |
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dc.contributor.referee |
Liebenberger, Július |
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dc.date.accepted |
2021-06-15 |
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dc.description.abstract-translated |
The diploma thesis examines the transformations of visual forms across selected feature films by the Mexican director Alejandro González Inárritu. Through a formal analysis of his six films made between 2000 and 2015, the thesis examines the director's relationship with the cinematographers Rodrigo Prieto and Emmanuel Lubezki. The aim of the diploma thesis is to create a comprehensive overview of Alejandro González I?árritu's past film production from a visual point of view, and to characterize the influence of the cinematographer on the director's vision. |
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dc.description.department |
Ateliér Audiovize |
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dc.thesis.degree-discipline |
Audiovizuální tvorba - Kamera |
cs |
dc.thesis.degree-discipline |
Audiovisual Arts - Film Photography |
en |
dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
dc.thesis.degree-name |
MgA. |
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dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
dc.identifier.stag |
57299
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utb.result.grade |
A |
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dc.date.submitted |
2021-05-21 |
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