Použití a funkce složek zvukové dramaturige ve filmech Jima Jarmusche
Show simple item record
dc.contributor.advisor |
Labík, Ludovít
|
|
dc.contributor.author |
Müllerová, Anna-Marie
|
|
dc.date.accessioned |
2021-07-26T10:54:20Z |
|
dc.date.available |
2021-07-26T10:54:20Z |
|
dc.date.issued |
2019-12-13 |
|
dc.identifier |
Elektronický archiv Knihovny UTB |
|
dc.identifier.uri |
http://hdl.handle.net/10563/47736
|
|
dc.description.abstract |
Bakalářská práce se zabývá zvukovou dramaturgií ve filmech Jima Jarmusche. Věnuje se jeho přístupu ke zvuku a zvukařům. Na příkladu tří filmů ukazuje konkrétní části zvukové struktury. Analytická část se zaměřuje na působení hudby ve filmu Dead Man na diváka. Na základě výzkumu provedeného oční kamerou ukazuje souvislosti mezi zvukem a obrazem, vztahy mezi emocionální rovinou hudby a pozorností diváka. |
|
dc.format |
34 |
|
dc.language.iso |
cs |
|
dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
dc.rights |
Bez omezení |
|
dc.subject |
Jim Jarmusch
|
cs |
dc.subject |
indie film
|
cs |
dc.subject |
nezávislé filmy
|
cs |
dc.subject |
americké filmy
|
cs |
dc.subject |
zvuková dramaturgie
|
cs |
dc.subject |
ruchy
|
cs |
dc.subject |
mluvené slovo
|
cs |
dc.subject |
hudba
|
cs |
dc.subject |
ticho
|
cs |
dc.subject |
Neil Young
|
cs |
dc.subject |
Ron Padget
|
cs |
dc.subject |
Adam Driver
|
cs |
dc.subject |
Robert Benigni
|
cs |
dc.subject |
Drew Kunin
|
cs |
dc.subject |
ChicChicoliny
|
cs |
dc.subject |
Dominique Tavela
|
cs |
dc.subject |
Robert Hein
|
cs |
dc.subject |
Sara Piaza
|
cs |
dc.subject |
Down By Law
|
cs |
dc.subject |
Dead Man
|
cs |
dc.subject |
Paterson
|
cs |
dc.subject |
zvuková demokracie
|
cs |
dc.subject |
cizinec
|
cs |
dc.subject |
překlad
|
cs |
dc.subject |
Jim Jarmusch
|
en |
dc.subject |
indie film
|
en |
dc.subject |
independent movies
|
en |
dc.subject |
American movies
|
en |
dc.subject |
sound dramaturgy
|
en |
dc.subject |
noise
|
en |
dc.subject |
world
|
en |
dc.subject |
music
|
en |
dc.subject |
silence
|
en |
dc.subject |
Neil Young
|
en |
dc.subject |
Ron Padget
|
en |
dc.subject |
Adam Driver
|
en |
dc.subject |
Robert Benigni
|
en |
dc.subject |
Drew Kunin
|
en |
dc.subject |
Chic Chicoliny
|
en |
dc.subject |
Dominique Tavela
|
en |
dc.subject |
Robert Hein
|
en |
dc.subject |
Sara Piaza
|
en |
dc.subject |
Down By Law
|
en |
dc.subject |
Dead Man
|
en |
dc.subject |
Paterson
|
en |
dc.subject |
sound democracy
|
en |
dc.subject |
foreigner
|
en |
dc.subject |
translation
|
en |
dc.title |
Použití a funkce složek zvukové dramaturige ve filmech Jima Jarmusche |
|
dc.title.alternative |
Dramaturgy of Sound in Jim Jarmusch's Movies and its use and Purpose |
|
dc.type |
bakalářská práce |
cs |
dc.contributor.referee |
Grečnár, Ján |
|
dc.date.accepted |
2020-09-03 |
|
dc.description.abstract-translated |
This bachelor thesis is studying sound dramaturgy in the movies by Jim Jarmusch. It is focusing on his approach to sound and sound designers. It shows concrete parts of sound structure on the example of three movies. The analytic part is focused on the effect of music on the spectator in the movie Dead Man. Based on the research with eye camera, it shows connections between sound and picture, relations between the emotional part of music and the spectators' attention. |
|
dc.description.department |
Ateliér Audiovize |
|
dc.thesis.degree-discipline |
Audiovizuální tvorba - Zvuková skladba |
cs |
dc.thesis.degree-discipline |
Audiovisual Arts - Sound Editing |
en |
dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
dc.thesis.degree-name |
BcA. |
|
dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
dc.identifier.stag |
54015
|
|
utb.result.grade |
A |
|
dc.date.submitted |
2020-08-12 |
|
Files in this item
This item appears in the following Collection(s)
Show simple item record
Search DSpace
Browse
-
All of DSpace
-
This Collection
My Account