| dc.contributor.advisor |
Eliška, Jiří
|
|
| dc.contributor.author |
Ondrík, Jozef
|
|
| dc.date.accessioned |
2013-10-12T23:13:22Z |
|
| dc.date.available |
2013-10-12T23:13:22Z |
|
| dc.date.issued |
2012-10-01 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
cs |
| dc.identifier.uri |
http://hdl.handle.net/10563/24797
|
|
| dc.description.abstract |
Teoretická časť mojej práce kriticky vymedzuje dobu v ktorej žijeme, zaoberá sa jej znakmi, typológiou a symbolmy, ktoré užíva. Skúma jej jazyk a reč znakov, tým aké funkcie znaky vo vizuálnom jazyku zastávajú a ako vznikajú. Práca neponúka odpovede ale nastoluje témy, mýty vo vizuálnej komunikácii a snaží sa ich de(kon)štruovať. Praktická časť je úzko spatá s teoretickú. Zaoberá sa myslením, tvorbou konceptu, témou designéra a jeho záujmom, ktoré vo výsledku tvoria jeho názor a pohľad, s ktorým ku tvorbe pristupuje. |
cs |
| dc.format |
71 s. (89 682 znaků) |
cs |
| dc.format.extent |
19129245 bytes |
cs |
| dc.format.mimetype |
application/zip |
cs |
| dc.language.iso |
cs |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
Mýty a mytológia
|
cs |
| dc.subject |
dekonškruckia
|
cs |
| dc.subject |
deštrukcia
|
cs |
| dc.subject |
symboly a znaky
|
cs |
| dc.subject |
grafický design
|
cs |
| dc.subject |
typografia
|
cs |
| dc.subject |
semiotika
|
cs |
| dc.subject |
jazyk a reč
|
cs |
| dc.subject |
Myths and mytologies
|
en |
| dc.subject |
deconstruction
|
en |
| dc.subject |
destruction
|
en |
| dc.subject |
symbols and signs
|
en |
| dc.subject |
graphic design
|
en |
| dc.subject |
typography
|
en |
| dc.subject |
semiotics
|
en |
| dc.subject |
language and syntax
|
en |
| dc.title |
De(kon)strukce, součást tvořivého procesu |
cs |
| dc.title.alternative |
Testing Things to Their Destruction Is Probably the Best Way How to Test Things |
en |
| dc.type |
diplomová práce |
cs |
| dc.contributor.referee |
Bružeňák, Jan |
|
| dc.date.accepted |
2013-06-12 |
|
| dc.description.abstract-translated |
The theoretical part of my work critically defines the time in which we live nowadays. It deals with the characters, typology and symbols. It examines the language and speech-character team what features characters in vizuálním zastávajú language and how to arise. This work does not offer answers but raises themes, myths in visual communication and trying to de(con)struct them. The practical part is closely linked to theoretical. It deals with thinking, concept formation, themed designer and his interests, which in result made ??up his mind and sight, with which is connected to the creation. |
en |
| dc.description.department |
Ústav reklamní fotografie a grafiky |
cs |
| dc.description.result |
obhájeno |
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/188
|
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/220
|
cs |
| dc.thesis.degree-discipline |
Multimedia a design - Grafický design |
cs |
| dc.thesis.degree-discipline |
Multimedia and Design - Graphic Design |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
MgA. |
cs |
| dc.thesis.degree-program |
Výtvarná umění |
cs |
| dc.thesis.degree-program |
Visual Arts |
en |
| dc.identifier.stag |
29367
|
|
| utb.result.grade |
E |
|
| dc.date.submitted |
2013-05-17 |
|
