Vizualizace hudby: Srovnání teorií, uměleckých děl a návrh

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Vizualizace hudby: Srovnání teorií, uměleckých děl a návrh

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dc.contributor.advisor Slivka, Ondrej
dc.contributor.author Ertan, Ersin
dc.date.accessioned 2023-01-10T07:46:49Z
dc.date.available 2023-01-10T07:46:49Z
dc.date.issued 2017-10-18
dc.identifier Elektronický archiv Knihovny UTB
dc.identifier.isbn 978-80-7678-133-7 cs
dc.identifier.uri http://hdl.handle.net/10563/52408
dc.description.abstract Primárním cílem tohoto výzkumu je hledat, analyzovat a porovnávat významné umělecké animace a filmy o vizualizacihudby s přihlédnutím k teoriím a dosáhnout nového uměleckého návrhu ve světle experimentálních uměleckých děl.
dc.format 32 cs
dc.language.iso en
dc.publisher Univerzita Tomáše Bati ve Zlíně
dc.rights Bez omezení
dc.subject Hudba cs
dc.subject Vizualizace cs
dc.subject Animace cs
dc.subject Teorie filmové hudby cs
dc.subject Videoklip cs
dc.subject Music en
dc.subject Visualization en
dc.subject Animation en
dc.subject Film Music Theories en
dc.subject Video Clip en
dc.title Vizualizace hudby: Srovnání teorií, uměleckých děl a návrh
dc.title.alternative Visualization of Music: Comparison of Theories, Artworks and a Proposal
dc.type disertační práce cs
dc.date.accepted 2022-12-12
dc.description.abstract-translated This research´s primary objective is to seek, find, analyze, and compare the notable or underrated artistic videos on music visualization in the light of relevant and propose an experimental artwork. After providing a brief introduction about the terms, history, along with the background, which is composed of categorization and revision for previous academic research, this thesis starts analysing notable short or feature films, animations, and interactive media chronologically that offer high artistic values regarding music visualization. The analyze methodology is mostly based on Zbikowski?s Leitmotif, Eisenstein?s diagrams, Kandinsky?s colour theories, and Michel Chion?s audiovisual analysis. The reason why these factors have been chosen is that they are indeed the core of music visualization theories that have been created by artists, directors, and scholars over a century. Additionally, the music visualization here is limited by classical music due to its high artistic values comparing to other genres and also the intense use of classical music by the theoreticians and artists above. The blockbuster or highly artistic movies and videos regarding music visualization, such as Stanley Kubrick?s Clockwork Orange, will be considered as a point of reference along with the important scholars? theories such as Gorbman, Cook, and Adorno. These analyses may enable us to see not only the improvements but also the deficiencies in this field. In this way, the creation of a new artistic concept in the light of related artworks and theories can be possible and more aesthetic in the framework of music visualization. Moreover, the findings of comparison and analysis will be converged altogether, and a new artistic concept, in conjunction with the relevant computer graphics-based animation artworks with video game aesthetics, will be offered as the ultimate results of this study.
dc.description.department Ateliér Animovaná tvorba
dc.thesis.degree-discipline Multimedia and Design cs
dc.thesis.degree-discipline Multimedia and Design en
dc.thesis.degree-grantor Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací cs
dc.thesis.degree-grantor Tomas Bata University in Zlín. Faculty of Multimedia Communications en
dc.thesis.degree-name Ph.D.
dc.thesis.degree-program Visual Arts cs
dc.thesis.degree-program Visual Arts en
dc.identifier.stag 63471
dc.date.submitted 2022-10-07


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ertan_2022_teze.pdf 3.067Mb PDF View/Open
ertan_2022_dp.pdf 5.865Mb PDF View/Open None
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